“Music fundamentally is communication,” says Teie, who has played cello with the National Symphony Orchestra and the San Francisco Symphony. The music was written to be shared between the species, deepening the connection between you and your cat.
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“Altogether it took five people and four different software programs about two weeks to come up with the 2-second finished sound of that,” Teie says.įelines are indifferent to the cellos and the other lower-pitched instruments on both albums, but they are there for a reason: human caregivers. Teie’s favorite purr instrument combines recordings of drumsticks tapping on a toy football with mouthgenerated wind sounds and the cluck of a human tongue. The suckling instruments grew from sounds that included a spray bottle shooting water onto cloth, a cane scraping against canvas and a percussionist scratching his beard.
A second album, with improved “suckling instruments” and 13 “purr instruments”-computer-modified acoustic recordings-is scheduled to be released this year. Performed by a 10-person ensemble on violin, cello, harp, bass, piano, percussion, bass clarinet and bassoon, the music is “composed for cats, verified by science, for the first time ever,” according to the liner notes on the Kickstarterfunded album. This is Music for Cats, created by cellist David Teie of the University of Maryland at College Park, with Charles Snowdon, an animal behaviorist at the University of Wisconsin. Below, cellos play: calm, soothing, slightly sad. Violin notes rise like cat voices, one octave or more above human speech. There is the two-beat rhythm of suckling-perhaps the first sound a kitten hears.
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